Texturize a Photo Tutorial

Well, I did promise a tutorial on GWGT. I did this quickly to show you how to use textures on photographs to give an aged or artistic look to an image. One that you create from scratch. See the finished ‘antique’ postcard below.

Five Minute Tutorial

First we start with two images, one, the base photo, and the other the texturizing image. Our goal is to create an old-time postcard that you can fool your friends into believing you made a great find, at least those friends that know little about photography and even less about antique postcards. It is all for fun. I am showing my desktop so you can click to see the settings I make in Photoshop. Just click to enlarge the images.

Of course what better to recreate an old image than one of Niagara Falls. I will be purposely making this tutorial a little more difficult so you can see a process. Starting with picking an original image that is not in landscape mode and a texture that is. You will see why in a moment.

The texture is a lake bottom with swimming fish. Again, not a typical texture to use, but the color is something we are after for an old world look. What we do is have both images open in Photoshop, then we just drag the texture into the document of Niagara Falls. It will position itself in a layer above the image of the Falls. Simple so far.

Now see that they don’t fit each other? No problem. We just grab the transform handles of the texture and enlarge the image. This allows us to move the image to a better textural pattern. See I enlarged and moved it over to the left. Also notice how the image picked up age with the yellow/orange color. We change the Layer Blending mode to Overlay and it blends with the Falls image below. It still retains the texture too, most noticeably in the sky.

This is how to add textures to photos, but it doesn’t look like much yet, but wait. We duplicate the original layer and change the Layer Blending mode of the Duplicate to Multiply. Now we are getting somewhere.

Getting better with greater contrast and saturation, just like those old saturated printed postcards.  But, this also made some parts of the image very dark. We can fix that with a layer mask. Click to add a layer mask and with the Brush tool, paint black on the mask itself. This will reveal some of the layer below which makes the lower left of the image much brighter.

A few steps below in the Layers panel, you see the layer mask applied. The image below has the area in question revealed. This step becomes unnecessary when we crop it to postcard size though. But masking is another thing you can see the effect, so I did it anyway.

But are we done? Nope. This step will add some real interest. Draw a selection very roughly around the image on the Duplicate layer.

When you have your marching ant selection, we are going to do a step you might not know. Select>Refine Edge. It opens the window below. We push the radius slider all the way up as shown and add a little contrast. How’s this look?

Click OK and what you get is the refined selection. Where did our white go? We invert the selection with Select>Inverse.

Now for the fun part. Hit Option/Delete (Alt/Backspace) to fill the active selection with black. We can’t leave it this way so…

We lower the opacity of the layer to give an aged look and darkened edges. I added a layer mask to this layer to mask some of the ‘frame’ at the top of the image but this is not necessary.  But, we don’t have a postcard yet. So we reduce the size of the frame layer to postcard size. This eliminates the bright blue sky too.

Using this as the overall size, crop the entire image.

In this image below, I first sharpened the image to increase the definition of the roughness. I created a New Layer and filled it with black. I then added Noise to the black layer. Filter>Noise>Add Noise. I changed the Layer Blending Mode to Overlay on the Noise layer and reduced the opacity of this layer. It gives an old film camera graininess to the image. I can further age it with torn edges and paper folds, but I think this makes a nice old postcard. Enlarge to see the graininess, but I kinda prefer it without.

Add some text and you have your Greetings From Niagara Falls. The postcard even has that metallic sheen seen on the ‘period’ cards they sell in the gift shops around the Falls.

Just for fun, I left a big fish swimming across the Falls. I wanted to see if anybody noticed.  Because it is distracting from the image, I would have eliminated this if this really was going to be a postcard. Content Aware anyone? I did on it on the GWGT post Monthly Weather Calendar – March 2012.

Motion Blurred Seagull

The Seagull gets smudged. I can go through this process step by step, but view this video by Corey Barker to see how it is done. If you do not have motion, paint it! It just take a couple of minutes with Photoshop.  A very cool technique and with additional work, could really be spectacular.

http://www.planetphotoshop.com/painting-motion.html

A real image of a motion blurred starling below. I call it On Golden Wing. I would love to control the detail (I could but I would have to really cheat) like I have above, but I do like the sun glaring off only one wing. Both images were shot from a very long distance, and greatly enlarged, cropped and sharpened.

I don’t know if I have time to shoot an image for the contest and am not sure if my starling is worthy. What do you think? The image was first posted  here.

Punch Up the Sky, the Sky’s the Limit

For You Photo Editing Aficionados…. the Ones that said Yes to my Poll….

Ever wonder how these dramatic skies are edited in Photoshop?

So cool, you wonder if they are real. Mine has always been authentic, but here is a quick and easy tip if you want a little help and a little dramatic cheat. The original below… not bad, but I could adjust the exposure a bit. Just the sky mind you is what we are after. No HDR here, that is another tip and trick.

The sky can be sharpened, but not like you might expect. If you use any of the sharpening tools on the whole image, everything is sharpened equally. Say you are OK with that which is on the ground, but not with that in the sky. I do not think my image needs a better sky, but let’s give it a try.

Well, you start with finding a sky filled with clouds. If you already did not expose for the clouds only, taking the foreground to black, try this.

Not bad, but a little bland foreground, but we can still use a little punch. I could add saturation and contrast, but let’s try sharpening. This is a quick and simple technique.

Start by duplicating the layer. Then on the duplicate, we go to Filter>Other>High Pass. We move the slider up until you start seeing high-definition in the clouds. I was at 20 px. If you want eye-popping definition, raise the slider to the right. Click OK.

Don’t worry that the foreground gets too sharpened. In this case it does not matter.

The next step seems counter intuitive, but trust me, we get the color back. Still on the High Pass layer, click Command or Control U to bring up and pull out the Saturation. I moved the Saturation slider to the left all the way. Now I have what looks like a gray layer.

Change the blending mode (top left corner drop down of the Layers Palette), of the High Pass Layer to either Overlay, Vivid Light, or Hard Light. I chose Overlay in this case. Now your color returns.

 Hard Light

Overlay

Next we need the foreground back to the original. So I add a mask (radio button at bottom of Layers Palette, see image to the right) to the High Pass layer. This allows me to mask out the trees and remove the sharpening on them. It is most useful if you really ramped up the High Pass to say 90 px or more. Here is 250 px for comparison. Wowser. I prefer a bit more restraint.

You select a large, soft paint brush. Make sure the color is set to black, and brush the areas you want to remove the sharpening, in this case the trees and the grass.

Here we have the before and after.  Not a great difference, but anymore on a highly defined image gets really unnatural.

  

Before and After

Then we can further tweak it with adjustment layers to further enhance those light rays coming in from the upper left.

One very cool thing about Photoshop is there are many ways to get a similar result. This is just one of a couple I can show you.

I did not change the image drastically since I already had a pretty noticeable sky, but this works in a pinch for punch. Try the Wowser version for fun… or like my lead in image, take it wild and wavy.

I joined Sky Watch Friday. Take a look and click the icon above.